Nick Love's previous films The Football Factory and The Business appealed to the 'Nuts' and 'Zoo'-reading male in their first flush of testosterone. Yet for all its flashes of brutalism, Outlaw feels defanged and debooted, reflecting Love's drift into middle-age, with middle-class concerns. As he says of the film, "It could have had the lads treatment (but) I'm getting older. I think it's made in a more mature way."And with age, comes, well, not so much maturity, responsibility, or experience, as fear. Having titillated his audience with terrace thuggery and dispatches from the Costa Del Crime, Love appears concerned that his audience may have taken his flirtation with criminality seriously. What to do? Well, there's only one sort of language these horrible hoodies understand. Beat them up!That's the position former paratrooper Danny Bryant (Bean) adopts on returning from a tour of Iraq, emotionally wounded by a war nobody wanted and appalled by the state of the country he left behind. "It's almost worse here" he exclaims. "They go around wrecking lives and when they get caught they get a slap on the wrist."
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